Monday, February 23, 2009
81st OSCAR AWARD WINNERS
Best picture
The Curious Case of Benjamin Button
Frost/Nixon
Milk
The Reader
Slumdog Millionaire
Best director
Danny Boyle - Slumdog Millionaire
Stephen Daldry - The Reader
David Fincher - The Curious Case of Benjamin Button
Ron Howard - Frost/Nixon
Gus Van Sant - Milk
Best actor
Richard Jenkins - The Visitor
Frank Langella - Frost/Nixon
Sean Penn - Milk
Brad Pitt - The Curious Case of Benjamin Button
Mickey Rourke - The Wrestler
Best actress
Anne Hathaway - Rachel Getting Married
Angelina Jolie - Changeling
Melissa Leo - Frozen River
Meryl Streep - Doubt
Kate Winslet - The Reader
Best supporting actress
Amy Adams - Doubt
Penelope Cruz - Vicky Cristina Barcelona
Viola Davis - Doubt
Taraji P Henson - The Curious Case of Benjamin Button
Marisa Tomei - The Wrestler
Best supporting actor
Josh Brolin - Milk
Robert Downey Jr - Tropic Thunder
Philip Seymour Hoffman - Doubt
Heath Ledger - The Dark Knight
Michael Shannon - Revolutionary Road
Best foreign language film
Revanche - Austria
The Class - France
The Baader Meinhof Complex - Germany
Departures - Japan
Waltz With Bashir - Israel
Best animated feature film
Bolt
Kung Fu Panda
Wall-E
Best adapted screenplay
The Curious Case of Benjamin Button
Doubt
Frost/Nixon
The Reader
Slumdog Millionaire, Simon Beaufoy
Best original screenplay
Happy-Go-Lucky
Milk, Dustin Lance Black
Wall-E
In Bruges
Frozen River
Best original score
The Curious Case of Benjamin Button
Defiance
Milk
Slumdog Millionaire
Wall-E
Best original song
Down To Earth - Wall-E
Jai Ho - Slumdog Millionaire
O Saya - Slumdog Millionaire
Art direction
The Curious Case of Benjamin Button
Changeling
The Dark Knight
The Duchess
Revolutionary Road
Cinematography
The Curious Case of Benjamin Button
Changeling
The Dark Knight
Slumdog Millionaire
The Reader
Costume design
The Curious Case of Benjamin Button
Australia
Milk
The Duchess
Revolutionary Road
Best documentary feature
The Betrayal
Encounters at the End of the World
The Garden
Man on Wire
Trouble The Water
Best documentary short subject
The Conscience of Nhem En
The Final Inch
Smile Pinki
The Witness - From the Balcony of Room 306
Film editing
The Curious Case of Benjamin Button
The Dark Knight
Frost/Nixon
Milk
Slumdog Millionaire
Make-up
The Curious Case of Benjamin Button
The Dark Knight
Hellboy II: The Golden Army
Best live action short film
Auf der Strecke (On The Line)
Manon on the Asphalt
New Boy
The Pig
Spielzeugland (Toyland)
Best animated short film
La Maison en Petits Cubes
Lavatory - Lovestory
Oktapodi
Presto
This Way Up
Sound editing
The Dark Knight
Iron Man
Wanted
Slumdog Millionaire
Wall-E
Sound mixing
The Curious Case of Benjamin Button
The Dark Knight
Wanted
Slumdog Millionaire
Wall-E
Visual effects
The Curious Case of Benjamin Button
The Dark Knight
Iron Man
Jean Hersholt Humanitarian Award:
Jerry Lewis
Friday, February 6, 2009
Oscar producers promise a new take on the big show

CULVER CITY, Calif. – Bill Condon and Laurence Mark breeze into their offices at Sony Studios for a quick break during another marathon workday. The writer-director and producer, who worked together on 2006's "Dreamgirls," are joining forces again — this time to put on the 81st annual Academy Awards.
It's the first time Condon, 53, and Mark, 59, have produced an Oscar telecast, and throughout the process, they've been making their own rules. They chose entertainer Hugh Jackman to host, rather than the usual standup comedian, and have kept nearly every element of the production — including presenters and performers — secret.
Not even members of the academy staff know who'll take the stage on the night of Feb. 22.
The maverick producers took a few minutes to share their thoughts with The Associated Press about how they're preparing for Hollywood's biggest night.
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AP: What have your lives been like since you've taken on this Oscar job?
Condon: We've both made a lot of movies, but it's never been as intense as this is. It really is. We're stumbling home at midnight every night and working on the weekends. It's a full-time thing.
Mark: Well because you have this deadline that is, well, finite. You can't fuss around ... You have a little leeway in movies, but you don't have any leeway here.
AP: How do you prepare for a job like this?
Condon: We watched a lot of old shows. We each had our favorites we went back to look at. Some of them held up, some of them didn't. We're both huge theater fans, so all of that stuff, and we both work in some way in live entertainment, so all of that comes in.
Mark: In a way, we do stand on the shoulders of all the Oscar producers before.
Condon: It's vaudeville. It really is putting on a vaudeville act and you've got 30 acts you're putting on basically and you hope that most of them are going to work.
AP: Why all the secrecy?
Condon: We wanted to restore a certain kind of mystery to it. When I look at the old shows, one of the great things is they're all giving this party and we're lucky to be invited to it. Recently it's become more just like a TV show where they promote everything, you know exactly who you're going to see. So I think you have to watch the show in order to find out what's going to happen, in order to see some of the dresses, in order to see some of the stars, and I think that just makes it more interesting as the thing goes on ... It just adds some interest.
Mark: We could just never figure out why you would say everything you were going to do before you did it. Why not just kind of do it and hope people tune in to see what you're doing.
AP: Could it backfire?
Mark: I think people tune in to see the Oscars. I don't think they tune in to see any one person, or any one person perform or present. I think they tune in to see the Oscars and what we're all up to this year with them, so that is our theory.
AP: Did you get any resistance from the academy or the network with that approach?
Mark: It took the academy a moment or two but I think they actually got on board very quickly with it. The academy has been around for a chunk of time and they do have traditions, and we're honoring as many of them as we can possibly manage to honor. But one or two (we're) breaking and they seem to enjoy the fact that things like this are going on, because by the way, you're talking about it, aren't you?
AP: How much room is there to revamp a show that requires 24 awards be presented on camera?
Condon: That is a given and it's a big chunk of the show: we're going to give out awards. The thing is maybe give them out in a different way, find a different way to present them. That's what we're hoping to do across the board, just freshen them up and surprise people again with the way these awards are given.
AP: Let's go through some of the rumors. True that you're taking some things out of the Kodak Theater?
Mark: There may be a bit of that.
AP: Is it true presenters won't walk the red carpet?
Mark: Of course there will be some presenters on the red carpet for heaven's sake. But there will be some surprises, some presenters who won't be on the red carpet. But it's not like there's some edict going on here.
AP: Are you really planning to close the show with clips from forthcoming films?
Mark: We're collecting them. The theory being this was 2008, and look at all the things you may have to look forward to in 2009 so that the show doesn't just end with "Good night."
Condon: It keeps you watching right through. The one rule we have is it's nothing that's appeared on trailers so it will be — if it works — a glimpse of stuff you've never seen before of the movies coming up.
AP: How will you measure success?
Condon: We're very excited by all the things we're doing and if we get close to executing them the way that we're planning, I think we'll feel very good about it. (Veteran Oscar producer) Gil Cates gave us that advice which was you have to please yourself and you're never going to please everybody. That's part of the show too. There's always going to be people who pick at it. We're ready for that.
Mark: One of the things we'll be happy about is if we come in close to three hours, to be very honest and not to be too artistic about it, but we are trying very hard to make that happen. The closer we get, the happier we'll be. It hasn't been three hours in decades.
AP: So you're really keeping all the presenters secret until the big night — except for the ones who out themselves?
Mark: The ones that out themselves will have their all-access passes denied.
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On the Net:
http://us.rd.yahoo.com/dailynews/ap/ap_en_ot/storytext/oscars_the_producers/30868360/SIG=10nql4du5/*http://www.oscars.org
OSCARS 81st Annual Academy Award Nominees and predictions
Get set for the 81st annual Academy Awards to air live from Hollywood at the Kodak Theatre on February 22, 2009 on ABC at 8 PM ET.
This year's host is "Australia" star and Sexiest Man of the Year, Hugh Jackman.
Oscar nominees are usually revealed on a Tuesday about four weeks before the live ceremony, but In 2009 that particular Tuesday was Inauguration Day on January 20.
So this year nominees were announced on Thursday, January 22 with the Oscar ceremonies airing live on Sunday, February 22, the earliest ever.
One young actor gave his last major (and now very haunting) Hollywood film appearance — with universal praise for the over-the-edge performance by Heath Ledger as The Joker in Dark Knight.
Ledger has already won for Best Supporting Actor at the 2009 Golden Globes, and the Critics Choice Awards, usually an accurate harbinger of what's to come from Oscar voters.
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Posthumous Oscar trivia
Other notable actors nominated for posthumous Oscars include James Dean with two acting nods after he fatally crashed his Porsche on September 30, 1955. He later received nominations for Best Actor in 1955 in East of Eden (1955) and for Giant (1956).
The first and only actor to actually win a posthumous Oscar was Peter Finch in 1977 for his best actor performance in Network (crying the immortal, "I'm mad as hell and I'm not going to take it anymore!")
2009 Oscar Nominations
Slumdog Millionaire is this year's "feel good movie of the New Depression" which transformed itself from obscure import to one of the most nominated films of the year with a total 10 nods from the Academy.
More predictable nominees also include:Frost/Nixon - Frank Langella and Michael Sheen act their heads off in this Broadway-to-film adaptation opening in Christmas Day.
Milk - directed by Gus Van Sant and starring Sean Penn as Harvey Milk, the first openly gay elected official in California, who was later assassinated in 1978.
The Curious Case of Benjamin Button - starring Brad Pitt, Cate Blanchett and Tilda Swinton in a weird tale about a man who starts aging backwards.
The Reader - Kate Winslet puts in a strong performance as a former SS guard in concentration camp who years later is put on trial for war crimes..
Wall-E - A no-brainer win for best animated film.
Below, check out the complete list of this year's nominees along with links to red carpet pictures & video clips, forum postings & discussions, and related expert commentary on the movie industry's most coveted prize ...